From its first edition 100 years ago through the atomic bombs dropped on Japan, to the attacks of September 11, 2001 and on ...
The New Yorker wasn’t entirely unprepared ... one of which was a play on a great cover that [Mouly] did with Art Spiegelman ...
“The New Yorker cover stands alone as its own work, conceived, drawn and signed by the artist.” What we see is the artist’s unalloyed vision. Mouly was named the magazine’s fourth art ...
A conventional documentary about a distinctly unorthodox figure, “Art Spiegelman ... Mouly has been the art editor at The New Yorker for more than three decades and, as the documentary finally ...
Holden Seidlitz, a New Yorker fact ... Eustace Tilley on the cover.Credit...Dolly Faibyshev for The New York Times Supported by By Alex Vadukul On Tuesday evening, Art Spiegelman and Françoise ...
On the occasion of a new documentary, the artist talks with Hyperallergic about the legacy of Maus, comics techniques, Gaza, ...
Through interviews with the artist and those closest to him, Molly Bernstein and Philip Dolin chronicle Spiegelman’s career ...