Rea Irvin, a savvy man-about-town, designed the first cover, planned for February, 1925. He rejected the initial concept of a ...

Also: A starry revival of Ibsen’s “Ghosts,” the guitar god Jack White, the great Ukrainian photographer Boris Mikhailov, and ...

The magazine has three golden rules: never write about writers, editors, or the magazine. On the occasion of our hundredth ...

The New Yorker’s longtime art editor Françoise Mouly discusses the year-long creative process behind its “cover extravaganza” ...

Kendrick Lamar, idealized as he is as the relative ascetic among his class of self-styled rap princes, is very much attracted ...

The beloved weekly magazine encompassing journalism, fiction, poetry and cartoons, is celebrating its centenary. New Yorker ...

Gail Butensky’s photographs of alternative and punk rockers find poignancy in the scene’s dissonance.

And, of course, escapism is a supply-and-demand business. As the world requires more of the people in it, it also offers more ...

Françoise Mouly, The New Yorker’s art editor, presents a seminar on how the magazine’s famous covers are crafted each week, joined by the cover artists Sarula Bao and Adrian Tomine.

The avant-garde artist cemented her fame with the achingly personal “Magdalene.” Her new club album, “Eusexua,” looks outward ...