Revisiting Kevin Costner's 'The Postman' reveals a strange, sincere American epic about hope, mail, and showing up for others ...
Cinematographer Natasha Briaer tells IndieWire about building the DP community she wanted to see in the world.
Beyond 'The Backrooms' and 'Obsession,' Q2 horror was shaped by 'Hokum,' 'Lee Cronin's The Mummy,' 'Leviticus,' 'Faces of ...
Waters and Murphy sat down at the Provincetown International Film Festival to talk everything from bad reviews to Kim ...
Directors Naoko Yamada and Abel Góngora spoke to IndieWire about Japan animation studio Science Saru’s upcoming historical ...
The feather in the cap is “Minions & Monsters,” the third movie starring the Minions and easily the best, a shockingly delightful madcap comedy that feels like it could convert even the most staunch ...
Jeff Tremaine on the run-and-gun recklessness of the early MTV days and kidnapping Brad Pitt, to learning to work with stunt ...
NYC Film and TV production has made a comeback in 2026, but the new mayor and his MOME commissioner are trying to convince ...
In his new Netflix stand-up special 'Ridiculous,' Louis CK makes his unhappiness evident. Without deeper insights, his misery ...
Ahead of the 2026 Emmy nominations, Awards Editor Marcus Jones highlights some of the series he would want TV Academy members ...
Indie Specialized Box Office Chart: Olivia Wilde’s ‘The Invite’ Outpaces Other A24 Platform Openings
A24 and Annapurna's film, a breakout hit from Sundance, debuted with a per-screen-average of $56,194 on 7 screens. Last week, ...
UPDATED: After reports earlier today that Neon was reportedly circling a deal to acquire the U.S. rights to “Artificial,” the ...
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