“The Marriage,” the first feature from award-winning shorts director Blerta Zeqiri, is a love triangle of sorts between a couple who are about to be married and the groom-to-be’s gay lover, who ...

With a Sundance Festival award under its belt, Blerta Zeqiri’s ‘The Return’ looks like ending the run of Kosovo war movies that passed into film oblivion. As far as movies about the Balkans are ...

Pristina’s fast-growing film festival kicks off this month, but industry insiders complain that despite such events cinematography in Kosovo continues to underperform. This post is also available in ...

For the first time in its history, films by female directors won the Japanese festival's two top prizes. By Patrick Brzeski Asia Bureau Chief Kosovo filmmaker Kaltrina Krasniqi’s semi-autobiographical ...

Add Yahoo as a preferred source to see more of our stories on Google. Amidst all the horrors of a war-torn decade that she would largely like to forget, one memory stands out for Kosovar filmmaker ...

The director behind Kosovo’s second-ever entry in the foreign-language Oscar race is himself a debutant. Germany-based, Kosovo-born writer-helmer Visar Morina’s feature bow, “Babai,” burst onto the ...

It is certainly not the first time that well-known and at times controversial Bosnian-Serb film director Emir Kusturica has found himself in the middle of a controversy about his work regarding the ...

Now in its 14th year, DokuFest is a documentary and short film festival in the picaresque historical town of Prizren in the southwest corner of Kosovo. In 2013, I came here for the European premiere ...

Kosovo selects Blerta Zeqiri's feature debut 'The Marriage' for the foreign-language category at the Oscars. By Nick Holdsworth Kosovo has selected Blerta Zeqiri’s feature debut The Marriage as its ...

LONDON, March 7 (Reuters) - The true story of a Kosovo war widow who defied tradition to launch a successful business enterprise is told in "Hive", a film its director hopes will educate viewers about ...

Amidst all the horrors of a war-torn decade that she would largely like to forget, one memory stands out for Kosovar filmmaker Kaltrina Krasniqi: the day her mother surprised the family with a VHS ...